This is from Kimberly and Deborah in answer to spoken and unspoken questions about this event.
I am not alone in asking this question. I'm certainly not alone in the vaguely frustrated tone that often colors that question. 'How do I find more readers?' A couple of months ago, I was online chatting with Kimberly Hunter about that very question. I maintain blogs about my work. I am a professional editor in my genre that keeps me connected to an audience. I've even spent money on advertising now and again. My sales were consistent. My reviews were largely positive. But I had hit a wall with my sales. What had been particularly frustrating was that a book fair that was usually very good for my titles had changed its thrust to such a degree that my usual audience stayed away in droves.
I am not alone in asking this question. I'm certainly not alone in the vaguely frustrated tone that often colors that question. 'How do I find more readers?' A couple of months ago, I was online chatting with Kimberly Hunter about that very question. I maintain blogs about my work. I am a professional editor in my genre that keeps me connected to an audience. I've even spent money on advertising now and again. My sales were consistent. My reviews were largely positive. But I had hit a wall with my sales. What had been particularly frustrating was that a book fair that was usually very good for my titles had changed its thrust to such a degree that my usual audience stayed away in droves.
“What does a writer have to do?” I
wondered. I was wondering this with Kimberly Hunter late one night
while chatting online. We had both been to writers' conventions and
conferences. We'd both found them useful, but they were more about
authors interacting with industry people more than they were about
finding readers. I had even attended really big events like the
Romantic Times Booklovers Convention. There wasn't a lot of time to
really connect with authors. That would be frustrating for me,
considering the expense of going, and I was already frustrated. I
speculated that we needed an event at a venue where there was an
audience for our books. I was thinking about Gay film festivals where
we could have a book fair. I even knew how to sell ebooks at a booth,
so this event could work for mainly digital authors as well as those
in print. I was being a bit dim about this, because it hadn't dawned
on me that the perfect venue was a convention that I had been a part
of for two years. The wonderful coordinators at Bent-con gave me a
mental smack to remind me that they were a celebration of LGBT themed
media. Books were a perfect addition.
They were so very right. The most
awesome thing about Bent-con is that it is a great place to interact
with the artists present and learn about what they create and look at
samples without pressure. It is such a fun environment that I've seen
guests stay all day just going from table to table. There is a lot of
laughing and the atmosphere is really laid back. I see authors
enjoying talking to each other when not talking to readers or comic
fans who didn't know they wanted to be readers. This was the primary
thing we wanted was for authors in our genre to find new readers.
What better place than an event that is all about being gay friendly?
It is priced to make it economically feasible for even an indie
author to attend with stock to sell. The panels are perks included in
that economical price that will cover things we've known authors to
be curious about. The special events are for authors to have a lot of
fun and let off steam with their readers. I want us all to leave with
huge mailing lists and potential reviewers. Maybe indie authors will
find a publisher. I hope everyone gets to look at pretty boys and
really laugh for a little while.
We are also readers who love a good
story. So when these conventions did roll around, it was hard to
connect with the authors who made such an impact on us with their
work. Most of the time was spent on panels, workshops, or the like.
Very little time was made for one on one with the author in a casual
setting to just talk shop or talk about anything. Now, I’m not
saying these conventions aren’t great or don’t have their place.
They do. Authors learn a great deal about their craft at these
conventions. But somewhere along the way, the reader was delegated to
a day or less to meet and greet their favorite author. Not really
fair considering it’s the reader who is buying our books. Who is
telling this friend and that relative how much they enjoyed the new
they book they bought. That’s why WRR has become so important to
us. It’s a chance to not only share our craft and works with fellow
authors, but more importantly, to share it with our readers. They are
the reason we keep at it. The reason we haven’t given up in this
business when so many have thrown in the towel. And they also deserve
to meet and greet the authors and pubs they have been buying books
from.
As an author, I get a little thrill
every time a reader contacts me to tell how much they enjoyed one of
my books. It’s a validation of a sort to let me know I got it right
and to push to get the next book out. Being at WRR will be further
validation when we can meet our readers and fans in person to tell
them just how much we appreciate them. It’s a win/win for authors
and readers alike.
I am one of those very rare insatiable readers, so I can give you my perspective on this. While readership has grown quite a bit in the last few years authorship has groWn more! Many more have jumped on the writer bandwagon, and we are spoiled for choice. Unfortunately we those of us that read insatiably kiss many frogs before we find our princely authors, but we are so busy reading the next book we don't stop to smell the roses. The times we do share our finds with fellow readers, they invariably say they will add it to their excessively long reading list they never get to.wierdly enough part of my reading addiction is also a shopping addiction. I spend many hours trolling Amazon for my current flavor of choice books. I try not to judge a book by the cover, but it does count. What completely hooks me though is the title, and what sells me is the synopsis. I will never buy a book that has a bad,mor misleading synopsis, and if it just has review lines in the spot where the synopsis should be u can forget it. I honestly do not care that Joe shmo thought it was titilating. I just want to know what it is about. A good hook in the synopsis or blurb is everything, and sells me every time. I am quite stingy about my money, but if the synopsis hooks me I will spend my hard earned money on that book every time.
ReplyDeleteThis sounds like fun.
ReplyDeleteIs there a link to the Bent-con site where I can learn about the con as a whole and get registration & schedule info? Thanks.
ReplyDelete